Description
This paper analyses the process of transforming research originally conducted for my doctoral dissertation into a documentary film, examining the unique personal and professional challenges, as well as the opportunities this shift brings to engage with visual politics. It explores how the documentary amplifies the underrepresented narratives of three revolutionary groups—LUAR, ARA, and BR—that resisted Portugal’s authoritarian regime leading up to the Carnation Revolution of 1974. By blending archival research, personal interviews, and creative storytelling, the film reanimates the experiences of former militants while connecting their legacy to contemporary discussions on resistance and social justice. The project unfolds in two phases: first, through in-depth archival and oral history research, gathering insights from former militants, historians, and witnesses; and second, by transforming these findings into a documentary film designed to bridge academic and public audiences. Through visual storytelling, this approach not only conveys historical content but also invites viewers to reflect on the ongoing relevance of these struggles. By engaging with visual politics, the documentary film highlights the impact of collective memory on identity and resistance, offering a platform for marginalized voices and reshaping Portugal’s historiographical landscape. Ultimately, the documentary film seeks to turn these life stories into powerful visual narratives, making history accessible, fostering a deeper understanding of Portugal's revolutionary past, and allowing for a meaningful discussion of present struggles.
